Skewed Visions’ The City Itself … questions the basic habits of theatre, and investigates new and viable forms of theatricality.

We rarely have any reason or ability to spatialize making do the way we did watching Losing Kantor. What felt poignant was the paradox of the apparent wish to know from that pitiable space of one’s own, sitting there next to others’, and the sphere of giant people and obscure behaviors outside so complete with difference and beyond comprehension.

Skewed Visions are singularly aware of the intangible realities of space. The most important among these intangibilities is the simple fact that the space in which we live, through which we move, which we use, enjoy, or dislike is always already claimed. There is no such thing as uncharted territory when it comes to spatial propertyship.