For $35 per year, you make Skewed Visions possible. Without relying on big money or foundations, we can do what needs to be done. Plus, members get super-major discounts to performances and events.
The impetus for EX came from grief. In the course of a year, Campbell lost his mother to Alzheimer’s and his sister to cancer. But with its dance sequences, non-linear or narrative structure and visual gags, EX isn’t maudlin or saccharine. EX is a quiet and meditative work, but one filled with palpable physicality, humanity and significance.
Losing Kantor is an intriguing set of moments and images strung together and focused through your own cardboard set of blinders. It’ll make you think differently about theater, and about being an audience member. And it’s, strangely, not the least bit weird or taxing. It’s actually quite refreshing and reinvigorating.
Skewed Visions are singularly aware of the intangible realities of space. The most important among these intangibilities is the simple fact that the space in which we live, through which we move, which we use, enjoy, or dislike is always already claimed. There is no such thing as uncharted territory when it comes to spatial propertyship.