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  • Foster rigorous, innovative, thoughtful artistic practice
  • Open possibilities for questioning the way things are
  • Impact the landscape of daily life
  • Expand notions of performance
  • Interdisciplinary collaboration
  • Performer + audience education + development

How we do it

Skewed Visions is member supported. Our independence depends on you.

For $35 per year, you make Skewed Visions possible. Without relying on big money or foundations, we can do what needs to be done. Plus, members get super-major discounts to performances and events.

Fresh Oysters Performance Research

is our shared space at 512 East 24th Street in Minneapolis

Shared with the exciting performance makers, Fire Drill and Anat Shinar, Fresh Oysters is where it all happens.

What they said

Losing Kantor is an intriguing set of moments and images strung together and focused through your own cardboard set of blinders.  It’ll make you think differently about theater, and about being an audience member.  And it’s, strangely, not the least bit weird or taxing.  It’s actually quite refreshing and reinvigorating.

Matthew Everett - Single White Fringe Geek

City Pages got a sneak preview of Black Water, and you're hearing it from us first: This is not a show you want to miss.The whole piece...is haunting and rather apocalyptic. The real star of the show, though, is the drone. That will scare the living shit out of you, guaranteed.

Sheila Regan, City Pages

Although the project is called Invisible City, it encourages you to observe everything around you with a closer eye than you would otherwise. While you might be looking for some secret entrance, really what is happening is that you're becoming more aware of what you see, hear, and smell around you.

Sheila Regan -- City Pages

From the video archive

APPETITE

(excerpts from May 2017 performance)
APPETITE was an experiment in performance made live in collaboration between Skewed Visions co-founder Charles Campbell and composer/sound designer Ted Moore. Inspired by sources as varied as Guy Debord’s The Society of the Spectacle, Chris Marker’s sci-fi film-novel, La Jetee, the poetry of Vladimir Mayakovsky, and the principle of audio feedback, APPETITE manipulated story, sound, and image in performed space.
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