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Goals

  • Foster rigorous, innovative, thoughtful artistic practice
  • Open possibilities for questioning the way things are
  • Impact the landscape of daily life
  • Expand notions of performance
  • Interdisciplinary collaboration
  • Performer + audience education + development

How we do it

Skewed Visions is member supported. Our independence depends on you.

For $35 per year, you make Skewed Visions possible. Without relying on big money or foundations, we can do what needs to be done. Plus, members get super-major discounts to performances and events.

Fresh Oysters Performance Research

is our shared space at 512 East 24th Street in Minneapolis

Shared with the exciting performance makers, Fire Drill and Anat Shinar, Fresh Oysters is where it all happens.

What they said

Skewed Visions are singularly aware of the intangible realities of space. The most important among these intangibilities is the simple fact that the space in which we live, through which we move, which we use, enjoy, or dislike is always already claimed. There is no such thing as uncharted territory when it comes to spatial propertyship.

Branislav Jakovljevic -- Frakcija

Losing Kantor is an intriguing set of moments and images strung together and focused through your own cardboard set of blinders.  It’ll make you think differently about theater, and about being an audience member.  And it’s, strangely, not the least bit weird or taxing.  It’s actually quite refreshing and reinvigorating.

Matthew Everett - Single White Fringe Geek

He Woke Up... is compelling and unusual theater, not easily forgotten. It’s performed by clever people tackling an important topic in an offbeat way.

Matthew Everett, Twin Cities Daily Planet

From the video archive

APPETITE

(excerpts from May 2017 performance)
APPETITE was an experiment in performance made live in collaboration between Skewed Visions co-founder Charles Campbell and composer/sound designer Ted Moore. Inspired by sources as varied as Guy Debord’s The Society of the Spectacle, Chris Marker’s sci-fi film-novel, La Jetee, the poetry of Vladimir Mayakovsky, and the principle of audio feedback, APPETITE manipulated story, sound, and image in performed space.
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